![]() After graduating in 1997, she helped found the women’s ensemble Chakaveh. At age fourteen, she was invited to study at the Tehran Conservatory of Music, where she was named Best Tar Player at the Iranian Music Festival four years in a row. Sahba Motallebi began studying music as a young girl in the seaside city of Sari in northern Iran. Bahare delneshin, by Rūhollāh Khāleqi (b.This tasnīf, written by Morteza Neydavoud and Mohammad-Taqi Bahar in the early 20th century, was first recorded by Moluk Zarrabi. Improvisation on shekasteh (a classical theme).Pīsh darāmad (Before Entering), by Yousof Froutan (20th century).Improvisation on āvāz (a classical theme).Improvisation on kereshmeh (rhythmic realization of a classical Persian gūsheh, or melodic theme).Using approximately the same pitches as the major scale of Western music, māhūr is distinctive among the dastgāhs for its bright mood. Pieces on this podcast are performed in māhūr, one of the twelve melodic modes ( dastgāh) of Persian classical music. Recorded at the Freer | Sackler on March 5, 2017 Naghmeh Farahmand, tombak and daff (percussion)
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